8/17/2023 0 Comments Yep roc records login![]() ![]() It is just one of the ways in which the record’s featured performances prove important to its presentation. The whole is a work that is one of the compilation’s highest points. The overall energy level through the arrangement plays alongside the music to help translate the emotion in the continued message of that need for unity and hope even with everything going down. Those two elements serve well to play into the song’s bigger message of unity, what with the genres begin so different yet coming together. The addition of the slide guitar alongside that element gives the song a bit of a country vibe. The use of the pedal to give it a sort of funk vibe plays into its infectious nature. ![]() It is however, still impacting in its own right. Faith Jones’ update is less subdued and reserved than its source material. That reserved nature and feeling was used intentionally so as to heathen the feeling of the song’s subject as he/she looked around at everything happening in the world at the time. Case in point is the noted update on Buffalo Springfield’s ‘For What It’s Worth.’ The original song is well-known by audiences of all ages. The performances in question are of note because while they largely stay true to their source material, they give the songs their own unique updates. The acts’ performances of the respective covers add their own hare of interest and appeal to the record. It is just one of the aspects that makes the compilation worth hearing. That aspect alone makes for its own reason for audiences to take in this record. The covers in question are unique takes on the noted songs by acts that are well-known in their own right and others who are building their reputations quite well. Again, what listeners get here is an extensive list of covers of songs from a wide range of well-known acts. There is even a cover of Madonna’s ‘Dress You Up’ next to Beck’s ‘Think I’m In Love’ along with a pair of Neil Young covers to add to the presentation. They range from a cover of The Go-Gos’ Can’t Stop The World’ by Superchunk, to an updated take of Buffalo Springfield’s timeless protest song ‘For What It’s Worth’ by Faith Jones, to a cover of Paul McCartney’s ‘Every Night’ by Terry Anderson and the Olympic Ass-Kickin’ Team and so much more, the compilation runs the gamut on genres and acts. That is proven in part through the acts and songs that are featured in the 25-song presentation. Yep Roc Records’ new benefit record Cover Charge : NC Artists Go Under Cover To Benefit Cat’s Cradle is sure to benefit the famed local music venue, an greatly at that. All things considered, they make Cover Charge : NC Artists Go Under Cover To Benefit Cat’s Cradle a work whose own music is sure to help keep the music alive at its beneficiary club. Each noted item is important in its own way to the whole of this compilation’s presentation. The record’s sequencing rounds out its most important elements. The performances of the noted songs by the featured North Carolina acts adds to the record’s appeal. That is proven through the acts and songs featured throughout the compilation. The 25-song collection is a widely appealing presentation that will connect just as much with fans of Americana and southern rock as it will to those with an appreciation of pop music. The compilation, Cover Charge : NC Artists Go Under Cover To Benefit Cat’s Cradle, was released Friday through Yep Roc Records. In response, many of the North Carolina bands that have gone on to national (and even global) fame since their days performing at Cat’s Cradle have come together for a benefit compilation meant to raise money for the famed venue. Its closure meant the cancellation of its entire concert schedule, leading to trouble paying the rent and basic overhead costs. Cat’s Cradle in Carrboro, NC has hosted countless acts over the course of its 50 years in business, but its future is now in doubt as a result of the COVID-19 pandemic. ![]()
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